Kennedy Agyapong’s team has turned victimhood into a political strategy. The moment you expose his inconsistencies, they cry foul and label you as ‘Team Bawumia.’ In their desperate narrative, truth becomes an attack and accountability a crime. They forget politics is not a sanctuary for fragile egos. If self-pity were a political portfolio, Kennedy Agyapong’s team would be cabinet ministers by now. The moment you dare to examine his character, they shout “Bawumia!” like priests casting out demons. Their strategy is simple: when truth knocks, cry “bias!” and when accountability bites, play dead.

Kennedy Agyapong’s team deserves an Oscar for ‘Best Performance in Playing Victim.’ The moment you put his character under a microscope, they scream ‘Bawumia!’ as if that’s a curse word. In their theater of self-pity, truth is the villain and logic is the enemy. Apparently, you can’t question Ken without triggering his choir of professional sympathizers.

To them, Kennedy is the eternal victim, a man surrounded by villains called “critics.” Apparently, anyone who doesn’t clap for him must be on Dr. Bawumia’s payroll. Welcome to the Republic of Ken, where logic is banned, and self-righteousness is law.

And the grand irony? The man who built his fame by attacking others now can’t stand the mirror. Once the loudest accuser, Kennedy Agyapong now wants sympathy as though Ghana owes him emotional damages for being questioned. If hypocrisy were fuel, his campaign would never run out of gas.

When the loudest accuser discovers the pain of being questioned, suddenly he sees truth as an insult and criticism as crime. He the roaring lion to professional victim, is the evolution of Kennedy Agyapong. In Ken’s Republic, politics of pity and the gospel of self-righteousness is the order.

Osɔfo Nii Naate Atswele Agbo Nartey