*THE BABY’S THIEF”: Art as Moral Prophecy by the Great Setheli Morgan Ashong-Katai (Part 2)
In the late 1980s, when Ghana was navigating economic strain and social restructuring, works such as “THE BABY’S THIEF” stood as more than theatrical entertainment. Authored and directed by Setheli Morgan Ashong-Katai, the drama belonged to a venerable African tradition in which art functions as tribunal, conscience, and communal mirror. It dramatized the ultimate violation...
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